Here we speak about SMOOTH VOICE LEADING.
D
['M2/M3','7','V|65/V','D2'],['P1/P5','7','V|43/IV','D2']
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Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:D
[V:C] "E7/G#"x | "D7/A"x |
[V:D] "V65/V"x | "V43/IV"x |
[V:S] E | ^F |
[V:A] D | D |
[V:T] B, | C |
[V:B] ^G, | A, |
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D
['M2/M3','7','V|65/V','D2'],['M7/P5','7','V|43/iii','D2']
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Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:D
[V:C] "E7/G#"x | "C#7/G#"x |
[V:D] "V65/V"x | "V43/iii"x |
[V:S] E | ^E |
[V:A] D | C |
[V:T] B, | B, |
[V:B] ^G, | ^G, |
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We can continue on:
D
['P1/m7','7','V|42/IV','D2'],['M6','7','V7/ii','D2']
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Q:1/1=40
%%piano2+2CD
%%player_no_voice
K:D
[V:C] "D7/C"x | "B7"x |
[V:D] "V42/IV"x | "V7/ii"x |
[V:S] A | A |
[V:A] D | ^D |
[V:T] F, | F, |
[V:B] =C, | B,, |
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In the key of D, analyse this progression:
D/F# | A7/E A7/G | D/F# D | G#Ø7/B C# | F#m F#Ø7/E | B7/D# Em | A7/C# D ||
D/F# | A7/E A7/G | D/F# D | G#Ø7/B C# | F#m F#Ø7/E | B7/D# Em | A7/C# D || I6 V43 V42 I6 I viiØ65/V V/iii iii viiØ42/IV V65/ii ii V65 I (iiØ65 V i) in key of iii (iiØ42 V65 i) in key of ii