HS - Complément sur la quarte et sixte de passage

Hors-série
Complément sur la quarte et sixte de passage
Complément sur la quarte et sixte de passage - Vidéo pratique

Cours d'harmonie
2.6.1 - Les quartes et sixtes de passage et de broderie
2.6.2 - Les quartes et sixtes de passage et de broderie - Vidéo pratique

1 - Rappels sur la quarte et sixte de passage

Q:1/1=40 %%piano2+2D [V:D] "I"x "V"x "I"x || "I"x "V"x "I"x |] [V:S] !n>(!c !n>)!!n>(!B !n>)!c || !green!e !green!d !green!c |] [V:A] !green!E !green!D !green!C || !n>(!G !n>)!!n>(!G !n>)!G |] [V:T] !n>(!G, !n>)!!n>(!G, !n>)!G, || !n>(!C !n>)!!n>(!B, !n>)!C |] [V:B] "_5"!green!C, "_6""_4"!green!D, "_6"!green!E, || "_5"!green!C, "_6""_4"!green!D, "_6"!green!E, |]

Avec les accords de quarte et sixte, on double la basse.

Q:1/1=40 %%piano2+2D [V:D] "I"x "V"x "I"x || "I"x "V"x "I"x |] [V:S] !n>(!c !n>)!!n>(!B !n>)!c || !green!c !green!d !green!e |] [V:A] G G G || G G G |] [V:T] !green!C !green!D !green!E || !n>(!C !n>)!!n>(!B, !n>)!C |] [V:B] "_6"!green!E, "_6""_4"!green!D, "_5"!green!C, || "_6"!green!E, "_6""_4"!green!D, "_5"!green!C, |]

Remarquons que la conduite des trois voix supérieures est la même pour le V à l'état fondamental ou à l'état de premier renversement.

Q:1/1=40 %%piano2+2D [V:D] "I"x "V"x "I"x || "I"x "V"x "I"x |] [V:S] !n>(!c !n>)!!n>(!B !n>)!c || !n>(!c !n>)!!n>(!B !n>)!c |] [V:A] G G G || G G G |] [V:T] !green!C !green!D !green!E || !green!C !green!D !green!E |] [V:B] "_6"!green!E, "_6""_4"!green!D, "_5"!green!C, || "_6"!green!E, "_5"!brown!G,, "_5"!green!C, |]

2 - La quarte qui veut être calife à la place du calife

Q:1/1=40 %%piano2+2D [V:D] "I"x "V"x "I"x "I""IV"x "V""I"x "I en Fa""IV en Do"x |] [V:S] !green!e !green!d !green!c !green!A !green!G !green!F |] [V:A] G G G !n>(!F !n>)!!n>(!E !n>)!F |] [V:T] !n>(!C !n>)!!n>(!B, !n>)!C C C C |] [V:B] "_5"!green!C, "_6""_4"!green!D, "_6"!green!E, "_5"!green!F, "_6""_4"!green!G, "_6"!green!A, |]

Sections cadentielles

Q:1/1=40 %%piano3+1DCN [V:C] "F"x | "G"x | "C"x || "Dm/F"x | "G"x | "C"x |] [V:D] "IV"x | "V"x | "I"x || "II"x | "V"x | "I"x |] [V:S] c | !red!!r>(!B | !blue!!r>)!c || d | !red!!r>(!B | !blue!!r>)!c |] [V:A] A | !blue!G | G || A | !blue!G | G |] [V:T] !blue!F | D | E || !blue!F | D | E |] [V:B] !blue!F, | !blue!G, | !blue!C, || !blue!F, | !blue!G, | !blue!C, |] [V:N] x | x | x || "_6"x | x | x |]

Q:1/1=40 %%piano3+1DCN [V:C] "Dm/F"x | "G"x | "C"x || "Dm7/F"x | "G"x | "C"x |] [V:D] "II"x | "V"x | "I"x || "II7"x | "V"x | "I"x |] [V:S] d/c/ | !red!!r>(!B | !blue!!r>)!c || c | !red!!r>(!B | !blue!!r>)!c |] [V:A] A | !blue!G | G || A | !blue!G | G |] [V:T] !blue!F | D | E || D | D | E |] [V:B] !blue!F, | !blue!G, | !blue!C, || F, | !blue!G, | !blue!C, |] [V:N] "_6"x/"_5"x/ | x | x || "_6""_5"x | x | x |]

Q:1/1=40 %%piano3+1DCN [V:C] "D7/F#"x | "G"x | "C"x || "F#°7"x | "G"x | "C"x |] [V:D] "V7/V"x | "V"x | "I"x || "VII°7"x | "V"x | "I"x |] [V:S] c | !red!!r>(!B | !blue!!r>)!c || c | !red!!r>(!B | !blue!!r>)!c |] [V:A] A | !blue!G | G || A | !blue!G | G |] [V:T] D | D | E || !green!_E | D | E |] [V:B] !green!^F, | !blue!G, | !blue!C, || !green!^F, | !blue!G, | !blue!C, |] [V:N] "_6""_5/"x | x | x || "_7/"x | x | x |]

Q:1/1=40 %%piano2+2DCN [V:C] "C"x | "F"x | "G"x | "C"x || "C"x | "Dm7/F"x | "G"x | "C"x |] [V:D] "I"x | "IV"x | "V"x | "I"x || "I"x | "II"x | "V"x | "I"x |] [V:S] E | !blue!F | D | E || E | D | D | E |] [V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C || !blue!C | C | !red!!r>(!B, | !r>)!!blue!C |] [V:T] G, | A, | !blue!G, | G, || G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F,, | !blue!G,, | !blue!C, || !blue!C, | F,, | !blue!G,, | !blue!C, |] [V:N] x | x | x | x || x | "_6""_5"x | x | x |]

En C majeur

Enchaînement V I écriture type A

Q:1/1=40 %%piano2+2DCN [V:C] "C"x | "F"x | "C/G"x | "Dm7/F"x | "G"x | "C"x |] [V:D] "I"x | "IV"x | "I"x | "II7"x | "V"x | "I"x |] [V:S] E | !blue!F | E | D | D | E |] [V:A] !blue!C | C | C | C | !red!!r>(!B, | !blue!!r>)!C |] [V:T] G, | !blue!F, | !blue!G, | A, | !blue!G, | G, |] [V:B] !blue!C, | A,, | !blue!G,, | F,, | !blue!G,, | !blue!C, |] [V:N] "_5"x | "_6"x | "_6""_4"x | "_6""_5"x | "_5"x | "_5"x |]

Enchaînement V I écriture type B (choral J.-S. Bach)

Q:1/1=40 %%piano2+2DCN [V:C] "C"x | "F"x | "C/G"x | "Dm7/F"x | "G"x | "C"x |] [V:D] "I"x | "IV"x | "I"x | "II7"x | "V"x | "I"x |] [V:S] E | !blue!F | E | D | D | !blue!C |] [V:A] !blue!C | C | C | C | !red!!n>(!B, | !n>)!G, |] [V:T] G, | !blue!F, | !blue!G, | A, | !blue!G, | E, |] [V:B] !blue!C, | A,, | !blue!G,, | F,, | !blue!G,, | !blue!C, |] [V:N] "_5"x | "_6"x | "_6""_4"x | "_6""_5"x | "_5"x | "_5"x |]

Q:1/1=40 %%piano2+2DCN [V:C] "C"x | "F"x | "C/G"x | "D7/F#"x | "G"x | "C"x |] [V:D] "I"x | "IV"x | "I"x | "V7/V"x | "V"x | "I"x |] [V:S] E | !blue!F | E | D | D | !blue!C |] [V:A] !blue!C | C | C | C | !red!!n>(!B, | !n>)!G, |] [V:T] G, | !blue!F, | !blue!G, | A, | !blue!G, | E, |] [V:B] !blue!C, | A,, | !blue!G,, | !green!^F,, | !blue!G,, | !blue!C, |] [V:N] "_5"x | "_6"x | "_6""_4"x | "_6""_5/"x | "_5"x | "_5"x |]

Q:1/1=40 %%piano2+2DCN [V:C] "C"x/ "C7/Bb"x/ | "F/A"x | "C/G"x | "Dm7/F"x | "G"x/ "G7"x/ | "C"x |] [V:D] "I"x/ "V7/IV"x/ | "IV"x | "I"x | "II7"x | "V"x/ "V7"x/ | "I"x |] [V:S] E | !blue!F | E | D | D | !blue!C |] [V:A] !blue!C | C | C | C | !red!!n>(!B, | !n>)!G, |] [V:T] G, | !blue!F, | !blue!G, | A, | !blue!G,/ !orange!!o>(!F,/ | !o>)!E, |] [V:B] !blue!C,/ !green!_B,,/ | A,,/_A,,/ | !blue!G,, | F,, | !blue!G,, | !blue!C, |] [V:N] "_5"x | "_6"x | "_6""_4"x | "_6""_5"x | "_5"x/ "_7""_+"x/ | "_5"x |]

En C mineur

On majorise la tierce du Do I pour en faire une dominante de Fa V7/IV.
II est l'accord Ré mineur 7 quinte diminuée au premier renversement

Q:1/1=40 K:Cm %%piano2+2DCN [V:C] "Cm"x/ "C7"x/ | "Fm"x | "Cm/G"x | "Dm7b5/F"x | "G"x/ "G7"x/ | "Cm"x |] [V:D] "I"x/ "V7/IV"x/ | "IV"x | "I"x | "II"x | "V"x/ "V7"x/ | "I"x |] [V:S] E/ !green!=E/ | !blue!F | E | D | D | !blue!C |] [V:A] !blue!C | C | C | C | !red!!n>(!=B, | !n>)!G, |] [V:T] G, | !blue!F, | !blue!G, | A, | !blue!G,/ !orange!!o>(!F,/ | !o>)!E, |] [V:B] !blue!C,/ !green!_B,,/ | A,, | !blue!G,, | F,, | !blue!G,, | !blue!C, |] [V:N] "_b"x/ "_+4"x/ | "_6"x | "_b6""_4"x | "_6""_5""_b"x | "_5"x/ "_7""_+"x/ | "_b"x |]

On substitue Dm7b5/F par D7/F#
C'est la dominante de Sol soit la dominante secondaire V7/V en Do.

Q:1/1=40 K:Cm %%piano2+2DCN [V:C] "Cm"x/ "C7"x/ | "Fm"x | "Cm/G"x | "D7/F#"x | "G"x/ "G7"x/ | "Cm"x |] [V:D] "I"x/ "V7/IV"x/ | "IV"x | "I"x | "V7/V"x | "V"x/ "V7"x/ | "I"x |] [V:S] E/ !green!=E/ | !blue!F | E | D | D | !blue!C |] [V:A] !blue!C | C | C | C | !red!!n>(!=B, | !n>)!G, |] [V:T] G, | !blue!F, | !blue!G, | !green!=A, | !blue!G,/ !orange!!o>(!F,/ | !o>)!E, |] [V:B] !blue!C,/ !green!_B,,/ | A,, | !blue!G,, | !green!^F,, | !blue!G,, | !blue!C, |] [V:N] "_b"x/ "_+4"x/ | "_6"x | "_b6""_4"x | "_6""_5/""_b"x | "_5"x/ "_7""_+"x/ | "_b"x |]

On substitue Dm7b5/F par F#°7 qui est l'acccord VII°7 en Sol mineur.

Q:1/1=40 K:Cm %%piano2+2DCN [V:C] "Cm"x/ "C7"x/ | "Fm"x | "Cm/G"x | "F#°7"x | "G"x/ "G7"x/ | "Cm"x |] [V:D] "I"x/ "V7/IV"x/ | "IV"x | "I"x | "VII7/V"x | "V"x/ "V7"x/ | "I"x |] [V:S] E/ !green!=E/ | !blue!F | E | !green!E/ D/ | D | !blue!C |] [V:A] !blue!C | C | C | C | !red!!n>(!=B, | !n>)!G, |] [V:T] G, | !blue!F, | !blue!G, | !green!=A, | !blue!G,/ !orange!!o>(!F,/ | !o>)!E, |] [V:B] !blue!C,/ !green!_B,,/ | A,, | !blue!G,, | !green!^F,, | !blue!G,, | !blue!C, |] [V:N] "_b"x/ "_+4"x/ | "_6"x | "_b6""_4"x | "_7/"x/ "_6""_5/"x/ | "_5"x/ "_7""_+"x/ | "_b"x |]

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