2.12 - Les codas



Cours d'harmonie - 2.12 - Les codas

Dernière unité du chapitre, consacrée aux cadences et codas. Exceptionnellement, la partie pratique est intégrée à cette vidéo, raison pour laquelle elle dure plus longtemps qu'à l'accoutumée.
0:00 : présentation de la coda ;
2:20 : les cadences, parfaite , imparfaite et rompue ;
25:05 extension de la notion de coda: élément initial, intermédiaire et final, coda proprement dite ;
36:50 : la coda du prélude en ut dièse mineur du premier livre du Clavier bien Tempéré de Bach ;
55:00 : l'enchaînement I-IV-V-I sur pédale de tonique et ses développements.

Les cadences

La cadence parfaite - Type A

Q:1/1=40 %%piano3+1D [V:D] "V"x "I"x | "V"x "I"x | "V"x "I"x |] [V:S] !red!!r>(!B !r>)!!blue!c | d e | !blue!G G |] [V:A] !blue!G G | !red!!r>(!B !r>)!!blue!c | D E |] [V:T] D E | !blue!G G | !red!!r>(!B, !r>)!!blue!C |] [V:B] !blue!G, !blue!C, | !blue!G, !blue!C, | !blue!G, !blue!C, |]
Q:1/1=40 %%piano3+1D [V:D] "V"x "I"x | "V"x "I"x | "V"x "I"x |] [V:S] !red!!r>(!B !r>)!!blue!c | d/!orange!!o>(!f/ !o>)!e | !blue!G G |] [V:A] !blue!G G | !red!!r>(!B !r>)!!blue!c | D/!orange!!o>(!F/ !o>)!E |] [V:T] D/!orange!!o>(!F/ !o>)!E | !blue!G G | !red!!r>(!B, !r>)!!blue!C |] [V:B] !blue!G, !blue!C, | !blue!G, !blue!C, | !blue!G, !blue!C, |]
Q:1/1=40 %%piano3+1D [V:D] "V7"x "I"x | "V7"x "I"x | "V7"x "I"x |] [V:S] !red!!r>(!B !r>)!!blue!c | !orange!!o>(!f !o>)!e | !blue!G G |] [V:A] !blue!G G | !red!!r>(!B !r>)!!blue!c | !orange!!o>(!F !o>)!E |] [V:T] !orange!!o>(!F !o>)!E | !blue!G G | !red!!r>(!B, !r>)!!blue!C |] [V:B] !blue!G, !blue!C, | !blue!G, !blue!C, | !blue!G, !blue!C, |]

La cadence parfaite - Type B

Q:1/1=40 %%piano3+1CD [V:C] "G"x "C"x | "G"x/ "G7"x/ "C"x | "G7"x "C"x |] [V:D] "V"x "I"x | "V"x/ "V7"x/ "I"x | "V7"x "I"x |] [V:S] d !blue!c | d !blue!c | d !blue!c |] [V:A] !red!!n>(!B !n>)!G | !red!!n>(!B !n>)!G | !red!!n>(!B !n>)!G |] [V:T] !blue!G E | !blue!G/!orange!!o>(!F/ !o>)!E | !orange!!o>(!F !o>)!E |] [V:B] !blue!G, !blue!C, | !blue!G, !blue!C, | G, !blue!C, |]

La cadence rompue

Q:1/1=40 %%piano3+1CD [V:C] "G"x/ "G7"x/ | "Am"x |] [V:D] "V"x/ "V"x/ | "VI"x |] [V:S] d | c |] [V:A] !red!B | !blue!A |] [V:T] !blue!G/!orange!F/ | E |] [V:B] !blue!G, | !blue!A, |]
Q:1/1=40 %%piano3+1CD [V:C] "C"x | "G7"x | "Am"x |] [V:D] "I"x | "V7"x | "VI"x |] [V:S] e | d | c |] [V:A] !blue!c | !red!B | !blue!A |] [V:T] G | !orange!F | E |] [V:B] !blue!C | G,/!green!^G,/ | !blue!A, |]

La cadence imparfaite

Q:1/1=40 %%piano3+1CD [V:C] "G"x | "C/E"x |] [V:D] "V"x | "I/3"x |] [V:S] !red!!r>(!B | !blue!!r>)!c |] [V:A] !blue!G | G |] [V:T] D | !blue!C |] [V:B] !blue!G, | E, |]

Bach, Prélude en ut# mineur

Q:1/8=60 L:1/8 %%score [1|2|3|4|5] [V:1] =B2 | c4 c=B c6 |] [V:2] DF | -FG_AF-F2 G6 |] [V:3] D2 | C4 D2 =E6 |] [V:4] G,,G, | -G,2 F,2 _A,2 G,6 |] [V:5] G,,2 | C,6 -C,6 |]

La coda

Q:1/1=40 %%piano2+2CD [V:C] "C"x | "F"x | "G7"x | "C"x |] [V:D] "I"x | "IV"x | "V7"x | "I"x |] [V:S] E | !blue!F | !orange!!o>(!F | !o>)!E |] [V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |] [V:T] G, | A, | !blue!G, | G, |] [V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |] [V:N] x | x | x | x |]
Q:1/1=40 %%piano2+2CDN [V:C] "C"x | "F/C"x | "G7/C"x | "C"x |] [V:D] "I"x | "IV/5"x | "V7"x | "I"x |] [V:S] E | F | !orange!!o>(!F | !o>)!E |] [V:A] !blue!C | !blue!C | !red!!r>(!B, | !blue!!r>)!C |] [V:T] G, | A, | G, | G, |] [V:B] !blue!C, | !blue!C, | C, | !blue!C, |] [V:N] x | "_6""_4"x | "_+7"x | x |]
Q:1/1=40 %%piano2+2CDN [V:C] "C"x | "C7"x | "F/C"x | "G7/C"x | "C"x |] [V:D] "I"x | "V7/IV"x | "IV/5"x | "V7"x | "I"x |] [V:S] E | !n>(!E | !n>)!F | !orange!!o>(!F | !o>)!E |] [V:A] !blue!C | !blue!C | !blue!C | !red!!r>(!B, | !blue!!r>)!C |] [V:T] G, | !n>(!_B, | !n>)!A, | G, | G, |] [V:B] !blue!C, | !blue!C, | !blue!C, | C, | !blue!C, |] [V:N] x | "_+7"x | "_6""_4"x | "_+7"x | x |]
Q:1/1=40 %%piano2+2CDN [V:C] "C"x | "C7"x | "F/C"x | "Fm/C"x | "G7/C"x | "C"x |] [V:D] "I"x | "V7/IV"x | "IV/5"x | "IV/5"x | "V7"x | "I"x |] [V:S] E | !n>(!E | !n>)!F | F | !orange!!o>(!F | !o>)!E |] [V:A] !blue!C | !blue!C | !blue!C | !blue!C | !red!!r>(!B, | !blue!!r>)!C |] [V:T] G, | !n>(!_B, | !n>)!A, | _A, | G, | G, |] [V:B] !blue!C, | !blue!C, | !blue!C, | !blue!C, | C, | !blue!C, |] [V:N] x | "_+7"x | "_6""_4"x | "_6""_4"x | "_+7"x | x |]
Q:1/1=40 %%piano2+2CDN [V:C] "C"x | "C7"x | "F/C"x | "Fm/C"x | "B°7/C"x | "C"x |] [V:D] "I"x | "V7/IV"x | "IV/5"x | "IV/5"x | "VII7"x | "I"x |] [V:S] E | !n>(!E | !n>)!F | F | !orange!!o>(!F | !o>)!E |] [V:A] !blue!C | !blue!C | !blue!C | !blue!C | !red!!r>(!=B, | !blue!!r>)!C |] [V:T] G, | !n>(!_B, | !n>)!A, | _A, | _A, | G, |] [V:B] !blue!C, | !blue!C, | !blue!C, | !blue!C, | C, | !blue!C, |] [V:N] x | "_+7"x | "_6""_4"x | "_6""_4"x | "_+7""_b6"x | x |]
Q:1/1=40 %%piano2+2CDN [V:C] "C"x | "C7"x | "F/C"x | "B°7/C"x | "C"x |] [V:D] "I"x | "V7/IV"x | "IV/5"x | "VII7"x | "I"x |] [V:S] E | !n>(!E | !n>)!F | !orange!!o>(!F | !o>)!E |] [V:A] !blue!C | !blue!C | !blue!C | !red!!r>(!=B, | !blue!!r>)!C |] [V:T] G, | !n>(!_B, | !n>)!A, | _A, | G, |] [V:B] !blue!C, | !blue!C, | !blue!C, | C, | !blue!C, |] [V:N] x | "_+7"x | "_6""_4"x | "_+7""_b6"x | x |]
Q:1/1=40 %%piano2+2CDN [V:C] "Cm"x | "C7"x | "Fm/C"x | "B°7/C"x | "C"x |] [V:D] "I"x | "V7/IV"x | "IV/5"x | "VII7"x | "I"x |] [V:S] _E | !n>(!=E | !n>)!F | !orange!!o>(!F | !o>)!=E |] [V:A] !blue!C | !blue!C | !blue!C | !red!!r>(!=B, | !blue!!r>)!C |] [V:T] G, | !n>(!_B, | !n>)!_A, | _A, | G, |] [V:B] !blue!C, | !blue!C, | !blue!C, | C, | !blue!C, |] [V:N] x | "_+7"x | "_6""_4"x | "_+7""_b6"x | x |]

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