2.10 - La septième du deuxième degré
Dixième unité du chapitre 2 consacrée à l'accord de septième du deuxième degré. L'unité sera composée de deux vidéos de cours et d'une vidéo pratique.
0:00 : présentation de l'unité 10 du 2eme chapitre
2:00 : forme et fonction de l'accord de 7eme du IIeme degré
11:40 : l'accord de quinte et sixte dans la section cadentielle
30:50 : emploi de l'accord de quinte et sixte suivi de la "forme B" de la cadence parfaite , son importance dans le choral
38:20 : la 7eme du IV degré en tant qu'appoggiature de l'accord de quinte et sixte (exemples Schubert, Chopin).
Seconde partie du cours sur l'accord de septième du deuxième degré.
Vous y trouverez une présentation du troisième renversement de l'accord de septième deuxième degré, chiffré 2, et de sa grande importance dans l'écriture.
Vidéo pratique concluant la série des trois vidéos sur l'accord de septième du deuxième degré :
00:10 : premier exemple (cantate Meines Lebens letzte Zeit de Bach) ;
18:22 : second exemple (chaconne en ré mineur de Bach).
Accord de septième mineure
On le trouve :
- au degré II en majeur ,
- au degré III en majeur,
- au degré VI en majeur,
- au degré IV en mineur.
"Dm7""II"[DFAc] | "Em7""III"[EGBd] | "Fm7""IV"[F_Ac_e] | "Am7""VI"[=Ac=eg] |
Où trouve-t-on l'accord Dm7 ?
- au degré II en Do majeur ,
- au degré III en Sib majeur,
- au degré IV en La mineur,
- au degré VI en Fa majeur.
Q:1/1=40
"_7""_En do""_majeur""Dm7""II"[DFAc] | "_7""_En do""_mineur""Dm7b5""II"[DF_Ac] |
Q:1/1=40
%%piano3+1CDN
[V:C] "Dm7/F"x | "G"x | "C"x |]
[V:D] "II"x | "V"x | "I"x |]
[V:S] c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] A | !blue!G | G |]
[V:T] D | D | E |]
[V:B] F, | !blue!G, | !blue!C, |]
[V:N] "_6""_5"x | x | x |]
Q:1/1=40
%%piano3+1CD
[V:C] "C"x | "F"x | "G"x | "C"x |]
[V:D] "I"x | "IV"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | !blue!F | D | E |]
[V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "Dm7/F"x | "G"x | "C"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | D | D | E |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Q:1/1=40
%%piano3+1CDN
[V:C] "Cm"x | "Dm7b5/F"x | "G"x | "Cm"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!=B | !blue!!r>)!c |]
[V:A] G | _A | !blue!G | G |]
[V:T] _E | D | D | _E |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Q:1/1=40
%%piano2+2CDN
[V:C] "C"x | "Dm7/F"x | "G"x | "C"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] G | A | !blue!G | G |]
[V:A] E | D | D | E |]
[V:T] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Q:1/1=40
%%piano2+2CDN
[V:C] "Cm"x | "Dm7b5/F"x | "G"x | "Cm"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] G | _A | !blue!G | G |]
[V:A] _E | D | D | _E |]
[V:T] !blue!C | C | !red!!r>(!=B, | !blue!!r>)!C |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Q:1/1=40
%%piano2+2CDN
[V:C] "C"x | "Dm7/F"x | "G"x | "C"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] E | D | D | E |]
[V:A] !blue!C | C | !red!!r>(!B, | !blue!!r>)!C |]
[V:T] G, | A, | !blue!G, | G, |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Q:1/1=40
%%piano2+2CDN
[V:C] "Cm"x | "Dm7b5/F"x | "G"x | "Cm"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] _E | D | D | _E |]
[V:A] !blue!C | C | !red!!r>(!=B, | !blue!!r>)!C |]
[V:T] G, | _A, | !blue!G, | G, |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Emprunt mineur en majeur :
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "DØ7/F"x | "G"x | "C"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | _A | !blue!G | G |]
[V:T] E | D | D | E |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Avec la septième de dominante :
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "F"x | "G7"x | "C"x |]
[V:D] "I"x | "IV"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | !blue!F | !orange!!o>(!F | !o>)!E |]
[V:B] !blue!C, | !blue!F, | !blue!G, | !blue!C, |]
[V:N] x | x | x | x |]
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "Dm7/F"x | "G7"x | "C"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:A] G | A | !blue!G | G |]
[V:T] E | D | !orange!!o>(!F | !o>)!E |]
[V:B] !blue!C, | F, | !blue!G, | !blue!C, |]
[V:N] x | "_6""_5"x | x | x |]
Rappel des deux cadences parfaites
Q:1/1=40
%%piano3+1CDN
[V:C] "G"x | "C"x || "G"x/ "G7"x/ | "C"x |]
[V:D] "V"x | "I"x || "V"x/ "V7"x/ | "I"x |]
[V:S] d | e || d | !blue!c |]
[V:A] !red!!r>(!B | !r>)!!blue!c || !red!B | G |]
[V:T] !blue!G | G || G/!orange!!o>(!F/ | !o>)!E |]
[V:B] !blue!G, | !blue!C || G, | !blue!C, |]
[V:N] x/ "_type A"x x/ || x/ "_type B"x x/ |]
Q:1/1=40
%%piano3+1CDN
[V:C] "Dm7/F"x | "G"x | "C"x |]
[V:D] "II"x | "V"x | "I"x |]
[V:S] d | d | !blue!c |]
[V:A] c | !red!B | G |]
[V:T] A | G/!orange!!o>(!F/ | !o>)!E |]
[V:B] F, | G, | !blue!C, |]
[V:N] "_6""_5"x | "_5"x/"_7""_+"x/ | x |]
Q:1/1=40
%%piano3+1CDN
[V:C] "Dm7b5/F"x | "G"x | "Cm"x |]
[V:D] "II"x | "V"x | "I"x |]
[V:S] d | d | !blue!c |]
[V:A] c | !red!=B | G |]
[V:T] _A | G/!orange!!o>(!F/ | !o>)!_E |]
[V:B] F, | G, | !blue!C, |]
[V:N] "_6""_5"x | "_5"x/"_7""_+"x/ | x |]
La septième du degré IV
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "Dm7/F"x | "G"x | "C"x |]
[V:D] "I"x | "II"x | "V"x | "I"x |]
[V:S] e | d | d | e |]
[V:A] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:T] G | A | !blue!G | G |]
[V:B] !blue!C | F, | !blue!G, | !blue!C |]
[V:N] x | "_6""_5"x | x | x |]
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "FM7"x | "G"x | "C"x |]
[V:D] "I"x | "VI"x | "V"x | "I"x |]
[V:S] e | e/ d/ | d | e |]
[V:A] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:T] G | A | !blue!G | G |]
[V:B] !blue!C | F, | !blue!G, | !blue!C |]
[V:N] x | "_7"x/ "_5"x/ | x | x |]
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "FM7"x/ "Dm7/F"x/ | "G"x | "C"x |]
[V:D] "I"x | "VI"x/ "II"x/ | "V"x | "I"x |]
[V:S] e | e/d/ | d | e |]
[V:A] !blue!c | c | !red!!r>(!B | !blue!!r>)!c |]
[V:T] G | A | !blue!G | G |]
[V:B] !blue!C | F, | !blue!G, | !blue!C |]
[V:N] x | "_7"x/"_6""_5"x/ | x | x |]
Q:1/1=40
%%piano3+1CD
[V:C] "C"x | "Am"x | "F"x | "Dm"x |]
[V:D] "I"x | "VI"x | "IV"x | "II"x |]
[V:S] G | !blue!A | A | A |]
[V:A] E | E | !blue!F | F |]
[V:T] !blue!C | C | C | !blue!D |]
[V:B] !blue!C, | !blue!A, | !blue!F, | !blue!D, |]
Q:1/1=40
%%piano3+1CDN
[V:C] "C"x | "Dm7/C"x || "C"x | "Am/C"x | "F/C"x | "Dm7/C"x |]
[V:D] "I"x | "II"x || "I"x | "VI"x | "IV"x | "II"x |]
[V:S] e | f || e | e | f | f |]
[V:A] !blue!c | d || !blue!c | !blue!c | !blue!c | d |]
[V:T] G | A || G | A | A | A |]
[V:B] !blue!C | C || !blue!C | !blue!C | !blue!C | C |]
[V:N] x | "_2"x || x | "_6"x | "_6""_4"x | "_2"x |]
En majeur
Q:1/1=40
%%piano3+1CDN
%%player_no_voice
[V:C] "C"x | "Dm7/C"x || "C"x | "Dm7/C"x || "C"x | "Dm7/C"x |]
[V:D] "I"x | "II"x || "I"x | "II"x || "I"x | "II"x |]
[V:S] e | f || !blue!c | d || !blue!c | d |]
[V:A] !blue!c | d || G | A || E | F |]
[V:T] G | A || E | F || G, | A, |]
[V:B] !blue!C | C || !blue!C | C || !blue!C, | C, |]
[V:N] x | "_2"x || x | "_2"x || x | "_2"x |]
En mineur
Q:1/1=40
%%piano3+1CDN
%%player_no_voice
[V:C] "Cm"x | "DØ7/C"x || "Cm"x | "DØ7/C"x || "Cm"x | "DØ7/C"x |]
[V:D] "I"x | "II"x || "I"x | "II"x || "I"x | "II"x |]
[V:S] _e | f || !blue!c | d || !blue!c | d |]
[V:A] !blue!c | d || G | _A || _E | F |]
[V:T] G | _A || _E | F || G, | _A, |]
[V:B] !blue!C | C || !blue!C | C || !blue!C, | C, |]
[V:N] x | "_2"x || x | "_2"x || x | "_2"x |]
