2.8 - Enchaînements avec
septièmes de dominante
Une seconde unité consacrée aux septièmes de dominante, abordant la notion de résolution naturelle et résolution exceptionnelle.
- 0:00 : comparaison et remarques concernant les intervalles de quarte augmentée et quinte diminuée, éléments essentiels de la résolution de l 'accord de septième de dominante ;
- 10:40 : enchaînements dominante- tonique, chute de quintes, transformation de l'accord de tonique en accord de dominante, la résolution naturelle ;
- 29:00 : la résolution exceptionnelle ;
- 40:15 : résolutions exceptionnelles avec les renversements (accords de quarte augmentée et accords de quinte diminuée et sixte en alternance).
La quarte augmentée et quinte diminuée
Q:1/1=40
L:1/2
K:C
%%score (C 1)
V:C clef=treble
V:1 clef=treble
[V:C] "La quinte diminuée"x2 "La quarte augmentée"x2 |
[V:1] "_5/"[!red!C_G]2 "_+4"[C!red!^F]2 |
%
[V:C] "en Réb"x2 | x/ "^½"x/ x/ "^1"x/ x/ "^1"x/ x/ "^½"x/ x |
[V:1] "_5/"[!red!C_G]2 | !red!C D E F _G |
%
[V:C] "en Sol"x2 | x/ "^1"x/ x/ "_le triton""^1"x/ x/ "^1"x/ x |
[V:1] "_+4"[C!red!^F]2 | C D E !red!^F |
Q:1/1=40
%%score {(D S A)| (B N)}
V:D clef=treble
V:S clef=treble
V:A clef=treble
V:B clef=bass
V:N clef=bass
[V:D] "Ab7""V"x "Db""I"x | "D7""V"x "G""I"x ||
[V:S] !orange!!o>(!_G !o>)!F | !red!!r>(!^F !r>)!G ||
[V:A] !red!!r>(!C !r>)!_D | !orange!!o>(!C !o>)!B, ||
[V:B] _A, _D, | D, G, ||
[V:N] "_7""_+"x x | "_7""_+"x x ||
Enchaînements dominante- tonique
En majeur
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "B7"x "E"x | "E7"x "A"x | "A7"x "D"x | "D7"x "G"x ||
[V:D] "V7"x "I"x | "V7"x "I"x | "V7"x "I"x | "V7"x "I"x ||
[V:S] !red!!r>(!^d !blue!!r>)!e | !blue!e e | !orange!!o>(!g !o>)!^f | !red!!r>(!^f !blue!!r>)!g ||
[V:A] !blue!B B | !orange!!o>(!=d !o>)!^c | !red!!r>(!^c !blue!!r>)!d | !blue!d d ||
[V:T] !orange!!o>(!A !o>)!^G | !red!!r>(!^G !blue!!r>)!A | !blue!A A | !orange!!o>(!=c !o>)!B ||
[V:B] !blue!B,, !blue!E, | !blue!E, !blue!A,, | !blue!A,, !blue!D, | !blue!D, !blue!G, ||
Avec 2 voix en clef de sol et 2 voix en clé de fa :
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "B7"x "E"x | "E7"x "A"x | "A7"x "D"x | "D7"x "G"x ||
[V:D] "V7"x "I"x | "V7"x "I"x | "V7"x "I"x | "V7"x "I"x ||
[V:S] !red!!r>(!^d !blue!!r>)!e | !blue!e e | !orange!!o>(!g !o>)!^f | !red!!r>(!^f !blue!!r>)!g ||
[V:A] !orange!!o>(!A !o>)!^G | !red!!r>(!^G !blue!!r>)!A | !blue!A A | !orange!!o>(!=c !o>)!B ||
[V:T] !blue!B, B, | !orange!!o>(!=D !o>)!^C | !red!!r>(!^C !blue!!r>)!D | !blue!D D ||
[V:B] !blue!B,, !blue!E, | !blue!E, !blue!A,, | !blue!A,, !blue!D, | !blue!D, !blue!G, ||
En mineur
Q:1/1=40
%%player_no_voice
%%piano3+1CD
K:C
[V:C] "B7"x "Em"x | "E7"x "Am"x | "A7"x "Dm"x | "D7"x "Gm"x ||
[V:D] "V7"x "I"x | "V7"x "I"x | "V7"x "I"x | "V7"x "I"x ||
[V:S] !red!!r>(!^d !blue!!r>)!e | !blue!e e | !orange!!o>(!g !o>)!=f | !red!!r>(!^f !blue!!r>)!g ||
[V:A] !blue!B B | !orange!!o>(!=d !o>)!=c | !red!!r>(!^c !blue!!r>)!d | !blue!d d ||
[V:T] !orange!!o>(!A !o>)!=G | !red!!r>(!^G !blue!!r>)!A | !blue!A A | !orange!!o>(!=c !o>)!_B ||
[V:B] !blue!B,, !blue!E, | !blue!E, !blue!A,, | !blue!A,, !blue!D, | !blue!D, !blue!G, ||
Avec 2 voix en clef de sol et 2 voix en clé de fa :
Q:1/1=40
%%player_no_voice
%%piano2+2CD
K:C
[V:C] "B7"x "Em"x | "E7"x "Am"x | "A7"x "Dm"x | "D7"x "Gm"x ||
[V:D] "V7"x "I"x | "V7"x "I"x | "V7"x "I"x | "V7"x "I"x ||
[V:S] !red!!r>(!^d !blue!!r>)!e | !blue!e e | !orange!!o>(!g !o>)!=f | !red!!r>(!^f !blue!!r>)!g ||
[V:A] !orange!!o>(!A !o>)!=G | !red!!r>(!^G !blue!!r>)!A | !blue!A A | !orange!!o>(!=c !o>)!_B ||
[V:T] !blue!B, B, | !orange!!o>(!=D !o>)!=C | !red!!r>(!^C !blue!!r>)!D | !blue!D D ||
[V:B] !blue!B,, !blue!E, | !blue!E, !blue!A,, | !blue!A,, !blue!D, | !blue!D, !blue!G, ||
En mineur d'abord on majorise et après on ajoute la septième :
Q:1/1=40
%%piano2+2
K:C
[V:S] !red!!r>(!^d !blue!!r>)!e | !blue!e e ||
[V:A] !orange!!o>(!A !o>)!!n>(!=G | !n>)!!red!!r>(!^G !blue!!r>)!A ||
[V:T] !blue!B, B, | B,/!orange!!o>(!=D/ !o>)!=C ||
[V:B] !blue!B,, !blue!E, | !blue!E, !blue!A,, ||
On ne fait pas l'inverse :
Q:1/1=40
%%piano2+2
K:C
[V:S] !red!!r>(!^d !blue!!r>)!e | !blue!e e ||
[V:A] !orange!!o>(!A !o>)!=G | =G/ !red!!r>(!^G/ !blue!!r>)!A ||
[V:T] !blue!B, B, | !orange!!o>(!=D !o>)!=C ||
[V:B] !blue!B,, !blue!E, | !blue!E, !blue!A,, ||
La résolution exceptionnelle
Q:1/1=40
%%score {(D S A)| (B N)}
V:D clef=treble
V:S clef=treble
V:A clef=treble
V:B clef=bass
V:N clef=bass
[V:D] "B7"x | "E7"x | "A7"x | "D7"x | "G7"x | "C7"x | "F7"x |
[V:S] !red!!n>(!^d | !orange!!n>)!=d | !red!!n>(!^c | !orange!!n>)!=c | !red!!n>(!B | !orange!!n>)!_B | !red!A |
[V:A] !orange!A | !red!!n>(!^G | !orange!!n>)!=G | !red!!n>(!^F | !orange!!n>)!=F | !red!!n>(!E | !orange!!n>)!_E |
[V:B] B, | E, | A, | D, | G, | C, | F, |
[V:N] "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x |
%
[V:D] "Bb7"x | "Eb7"x | "Ab7"x | "Db7"x | "Gb7"x | "Cb7"x |
[V:S] !orange!_A | !red!=G | !orange!_G | !red!=F | !orange!_F | !red!_E |
[V:A] !red!D | !orange!_D | !red!=C | !orange!_C | !red!_B, | !orange!__B, |
[V:B] _B,, | _E, | _A,, | _D, | _G,, | _C, |
[V:N] "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x | "_7""_+"x |
Q:1/1=40
%%piano2+2DN
K:C
[V:D] "B7/D#"x | "E7/D"x | "A7/C#"x | "D7/C"x | "G7/B"x | "C7/Bb"x |
[V:S] !orange!A | !red!^G | !orange!=G | !red!^F | !orange!=F | !red!E |
[V:A] ^F | E | E | D | D | C |
[V:T] B, | B, | A, | A, | G, | G, |
[V:B] !red!^D, | !orange!=D, | !red!^C, | !orange!=C, | !red!B,, | !orange!_B,, |
[V:N] "_6""_5/"x | "_+4"x | "_6""_5/"x | "_+4"x | "_6""_5/"x | "_+4"x |
