2.3 - La réalisation de l'accord de sixte
Nous traitons dans cette unité 3 de la réalisation de l'accord de sixte.
Exceptionnellement, cette vidéo ne sera pas accompagnée d'une vidéo pratique.
En effet, la vidéo dure déjà près de cinquante minutes et, de plus, l'unité 4 traitera également de l'accord de sixte et sera accompagnée d'une vidéo pratique.
L'accord de sixte soit de premier rensersement ou renversement sur la tierce permet de faire chanter la basse.
Q:1/1=40
"C"[CEG] "C/E"[EGc] | "Cm"[C_EG] "Cm/Eb"[_EGc] |]
w: 5 6 5 6
Les 12 accords majeurs de sixte
Q:1/1=40
E B, A, ^F ^G ^C ^D ^A D C F G |]
w: 6 6 6 6 6 6 6 6 6 6 6 6
Q:1/1=40
"C/E"[EGc] "G/B"[B,DG] "F/A"[A,CF] "D/F#"[^FAd] "E/G#"[^GBe] "A/C#"[^CEA] |
w: 6 6 6 6 6 6
"B/D#"[^D^FB] "F#/A#"[^A^c^f] "Bb/D"[DF_B] "Ab/C"[C_E_A] "Db/F"[F_A_d] "Eb/G"[G_B_e] |]
w: 6 6 6 6 6 6
Réalisation de l'accord de sixte
On ne double pas la basse d'un accord de sixte.
Q:1/1=40
%%player_no_voice
%%piano2+2C
K:C
[V:C] "C/E"x | "C/E"x | "à éviter"x |
[V:S] !blue!c | !blue!G | c |
[V:A] G | C | G |
[V:T] !blue!C | !blue!G, | !red!E |
[V:B] E, | E, | !red!E, |
L'exception qui confirme la régle :
Q:1/1=40
%%piano3+1C
K:C
[V:C] "Dm/F"x | "G"x | "C"x |
[V:S] d | B | !blue!c |
[V:A] A | !blue!G | G |
[V:T] !green!F | D | E |
[V:B] !green!F, | !blue!G, | !blue!C, |
Les positions de l'accord de sixte :
Q:1/1=40
%%player_no_voice
%%piano2+2C
K:C
[V:C] "C/E"x | "C/E"x | "C/E"x || "C/E"x | "C/E"x | "C/E"x || "C/E"x | "C/E"x | "C/E"x |]
[V:S] !blue!c | !blue!c | g || !blue!G | c | !blue!g || !blue!c | !blue!G | c |]
[V:A] G | !blue!C | !blue!c || C | !blue!G | !blue!G || !blue!C | C | !blue!G |]
[V:T] !blue!C | G, | !blue!C || !blue!G, | !blue!G, | C || G, | !blue!G, | !blue!G, |]
[V:B] E, | E, | E, || E, | E, | E, || E,, | E,, | E,, |]
Réalisations de l'enchaînement V - I
Q:1/1=40
"V"G,"I"C, | "V"G,"I"E, | "V"B,,"I"C, | "V"B,,"I"E, |]
w: 5 5 5 6 6 5 6 6
Q:1/1=40
%%piano2+2CD
[V:C] "G"x | "C"x || "G"x | "C/E"x || "G/B"x | "C"x ||
[V:D] "V"x | "I"x || "V"x | "I"x || "V"x | "I"x ||
[V:S] !red!!r>(!B | !blue!!r>)!c || !red!!r>(!B | !blue!!r>)!c || !blue!!n>(!G | !n>)!E ||
[V:A] !blue!!n>(!G | !n>)!G || !blue!!n>(!G | !n>)!G || D | !blue!C ||
[V:T] D | E || D | !blue!C || !blue!!n>(!G, | !n>)!G, ||
[V:B] !blue!G, | !blue!C, || !blue!!n>(!G, | !n>)!E, || !red!!r>(!B,, | !blue!!r>)!C, ||
w: 5 5 5 6 6 5 6 6
Ajout de la septième de dominante
Q:1/1=40
%%piano3+1CD
[V:C] "G7"x | "C"x || "G7/F"x | "C/E"x || "G7/B"x | "C"x ||
[V:D] "V7"x | "I"x || "V7"x | "I"x || "V7"x | "I"x ||
[V:S] !red!!r>(!B | !r>)!!blue!c || !red!!r>(!B | !r>)!!blue!c || !orange!!o>(!F | !o>)!E ||
[V:A] !blue!!n>(!G | !n>)!G || !n>(!G | !n>)!G || D | !blue!C ||
[V:T] !orange!!o>(!F | !o>)!E || D | !blue!C || !blue!!n>(!G, | !n>)!G, ||
[V:B] "_7""_+"!blue!G,| "_5"!blue!C,|| "_+4"!orange!!o>(!F, | "_6"!o>)!E, || "_6"!red!!r>(!B,, | "_5"!blue!!r>)!C, ||
Rappel avec l'ajout de la septième :
Q:1/1=40
%%piano3+1C
K:C
[V:C] "G"x "C"x | "G"x "C"x | "G7"x "C"x |]
[V:S] !red!!r>(!B !blue!!r>)!c | !red!!r>(!B !blue!!r>)!c | !red!!r>(!B !blue!!r>)!c |]
[V:A] !n>(!!blue!G !n>)!G | !n>(!!blue!G !n>)!G | !n>(!!blue!G !n>)!G |]
[V:T] D E | D/!orange!!o>(!F/ !o>)!E | !orange!!o>(!F !o>)!E |]
[V:B] !blue!G, !blue!C, | !blue!G, !blue!C, | !blue!G, !blue!C, |]
Q:1/1=40
%%piano3+1C
K:C
[V:C] "G"x "C/E"x | "G"x "C/E"x | "G7/F"x "C/E"x |]
[V:S] !red!!r>(!B !blue!!r>)!c | !red!!r>(!B !blue!!r>)!c | !red!!r>(!B !blue!!r>)!c |]
[V:A] !n>(!!blue!G !n>)!G | !n>(!!blue!G !n>)!G | !n>(!G !n>)!G |]
[V:T] D !blue!C | D !blue!C | D !blue!C |]
[V:B] !blue!G, E, | !blue!G,/!orange!!o>(!F,/ !o>)!E, | !orange!!o>(!F, !o>)!E, |]
Q:1/1=40
%%piano2+2C
K:C
[V:C] "G/B"x "C"x | "G/B"x "C"x | "G7/B"x "C"x |]
[V:S] !blue!G E | !blue!G/!orange!!o>(!F/ !o>)!E | !orange!!o>(!F !o>)!E |]
[V:A] D !blue!C | D C | D !blue!C |]
[V:T] !n>(!!blue!G, !n>)!G, | !n>(!!blue!G, !n>)!G, | !n>(!G, !n>)!G, |]
[V:B] !red!!r>(!B,, !blue!!r>)!C, | !red!!r>(!B,, !blue!!r>)!C, | !red!!r>(!B,, !blue!!r>)!C, |]